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A year of zoom and gloom

January 4th, 2021 | 2 min read

By Rich Harvey

Sitting here at my keyboard on the last day of an incredible year, it would be easy to churn out a few hundred words on what a resilient bunch us musicians are; how we’ve made the best of a bad situation. How we have adapted to unprecedented circumstances and overcome seemingly insurmountable challenges whilst laying the framework for the brave new world of a post-pandemic music industry. But it’s not as simple as that, is it…

In my blogs I normally focus on my work with my Blast Off Brass workshops and Salford University, and I have been as guilty as the next blogger of trying my hardest to put a positive spin on the past year. That’s not to say that there haven’t been many positives that have fallen out of the Covid crisis, but let’s be honest – it’s not been ideal, has it?

I suppose we will have to wait for this all to die down and for things to get back to ‘normal’ before we can truly dissect the toll this has taken on our industry, and there will be many, many sad individual stories we will hear over the coming months. There are, however, green shoots of hope to be seen. Although an exodus from the music industry is inevitable, many people have re-aligned their life-goals over the past year; I know I certainly have. Worst case scenario going forward: music may never again offer the employment opportunities it has in the past. Studying for GCSEs, A Levels and degrees in music may seem (even more) frivolous in a world crying out for doctors, nurses, online delivery drivers, vaccinators, Amazon warehouse workers, IT boffins, epidemiologists, fruit pickers and farmers, but for many people the sheer joy of music has been a blessing, and in some cases a life-saver.

Humans have always loved music, and whether this infatuation serves any evolutionary sense has been debated for centuries, but the irrevocable fact remains – we do! The act of listening to music releases dopamine, and this makes us happy. Music is part of what makes us human, and despite mucho Googling, I cannot find reference to the world’s first professional musician. Music was done for pleasure, to make us and those around us happy.

At some point the human race commercialised it, monetised it, as we have with every other commodity on the planet. The Pandemic has, in part, made many of us remember what drew us to music in the first place; maybe that’s where our focus should be going forward, and not on squeezing every last penny we can out of it. Please don’t misunderstand me; I’m not being flippant about the thousands of careers and livelihoods that have and will suffer over this. Like many of you, I will still need to earn a living from music, hopefully for many more years to come; I can’t (and don’t want to) do anything else! I’m talking about the future, our next generation of musicians – our children.

 

Screenshot 2021-02-15 at 11.36.31As soon as I am able I will be re-starting my Blast Off Brass workshops, and I have several that I received payment for before Lockdown which will be honoured first. Over the past few months I have been re-working my format to incorporate the new pBugle alongside the pBuzz, but I had no intention to alter the overarching ‘message’ I was conveying. A year ago, a large part of my ‘spiel’ to the kids was about the fantastic career I have had in music; the travel, the celebrities, the MONEY! I used to drive away thinking: “If just one of those kids makes a career in music, I’ve done my job.”


2020 has made many of us re-evaluate our relationship with music; the JOY and the FUN is what drew us to it in the first place, not the money. I hope I never drive away from a school with that thought in my head ever again.

Rich Harvey

Richard Harvey MMus BMus(Hons) FRSM AMusTCL was born in Slough in 1973 and began learning the trombone at the age of eleven. Leaving school at sixteen, he joined the Royal Marines Band Service and studied under the renowned orchestral trombonist Albert Thompson. During his time under training Richard won the prestigious Cassel Prize – an annual instrumental competition, and was subsequently awarded a silver medal by the Worshipful Company of Musicians.

In 1994 he was drafted to the band onboard Her Majesty’s Yacht Britannia and spent the next three years travelling extensively around the world, performing to world leaders such as Bill Clinton and Nelson Mandela, as well as Her Majesty The Queen and other members of the Royal Family. Richard began conducting in earnest in 2003, and after completing the year-long Bandmasters’ Course at the Royal Marines School of Music, he enjoyed tenures as the conductor of the Warsash Community Band and Southampton Concert Wind Band – an ensemble consisting of over fifty instrumentalists – and during his time with them he led the band on a very successful tour of Bavaria.

In 2007 Richard was selected for commission, promoted Captain Royal Marines and appointed a Director of Music, and over the next six years he ran three RM bands, took a year’s sabbatical to study for his Master’s degree at the Royal Northern College of Music and served on a six-month operational tour to Afghanistan as the Adjutant of the United Kingdom Medical Group – a challenging yet rewarding experience. In 2012 Richard became the first member of Her Majesty’s Royal Marines to be admitted a Fellow of the Royal Schools of Music before retiring from the Service after a full military career in 2013.

In 2015 Richard was appointed Bandmaster of the prestigious and historic Royal Hospital School in Suffolk; only the sixth incumbent of the role since 1906, and over the next three years was responsible for running the concert band, parade band, brass ensemble, orchestra and big band; the highlight of which included a performance for HM The Queen at Newmarket.

In September 2019 Richard took up his current position as Lecturer in Classical Performance and Conducting at the University of Salford, where his duties include conducting the famous university brass band. In February 2020 Richard led the band to victory at the UniBrass contest, competing against prestigious institutions such as the Royal Northern College of Music. Richard is also the founding owner of Blast Off Brass; a workshop-based initiative to introduce brass playing to primary school pupils using the revolutionary pBuzz instruments, and in September 2020 he was incredibly proud to assume the role of Education Ambassador for Warwick Music Group. Richard said: “I have worked alongside WMG on various projects over the last five years or so, and have always been impressed by their innovative approach to music education. I am a fan of the pBuzz and use it to great effect in my workshops, and I am looking forward to incorporating the new pBugle into my sessions. I am incredibly excited to have been given this new role, and I am keen to get involved in as many projects with them as I can.”